Matt Arbuckle
Matt Arbuckle’s practice is a process-driven exploration of place, representing landscapes that are conceptualised through their very making. Through an experimental practice that favours process over outcome, Arbuckle uses elements of traditional Japanese shibori dyeing techniques to create abstract compositions by wrapping, twisting, folding, and draping fabric over found surfaces and structures. The resulting paintings use depth and movement to trace and reveal abstract memories, imprinting the experience of place into the artwork.
- 
      
      Matt Arbuckle is an Aotearoa/New Zealand-born artist living and working between Tāmaki Makaurau Auckland and Naarm/Melbourne. Arbuckle has a BFA from Unitec Institute of Technology, Tāmaki Makaurau Auckland (2009), and has held solo exhibitions at Daine Singer (Melbourne), Two Rooms (Auckland), Hastings City Art Gallery (New Zealand), Bus Projects (Melbourne), Parlour Projects (Hawks Bay, New Zealand), Paulnache Gallery (Gisborne, New Zealand), Vermont Studio Center (USA), and Baustelle Gallery (Berlin). 
 He has participated in group exhibitions including at ChaShama (New York), Drill Hall Gallery (Canberra), Hugo Michell Gallery (Adelaide), TCB (Melbourne), Hanging Valley (Melbourne), Caves (Melbourne), Haydens (Melbourne), The Pah Homestead, TSB Wallace Arts Trust (Auckland), Gowlangsford (Auckland), Laree Payne (Hamilton), and Salamanca Arts Centre (Hobart). Arbuckle has participated in art fairs including Aotearoa Art Fair, Sydney Contemporary, Melbourne Art Fair, and Spring1883.
 Arbuckle was the recipient of the 2017 James Wallace Art Fellowship to the Vermont Studio Center, USA, followed by a solo exhibition there in 2018. In 2020–21 he was invited to present a solo exhibition at Hastings City Art Gallery, Aotearoa New Zealand. In 2021 he undertook a residency at Driving Creek, Coromandel, Aotearoa New Zealand.
 Arbuckle’s work is held in the Chartwell Collection, Auckland Art Gallery Toi o Tāmaki; the Wallace Arts Trust Collection; Driving Creek Potteries, New Zealand, and the Arthur and Suzie Roe Collection, Melbourne. In 2022 Arbuckle was a recipient of the Melbourne Art Fair’s large-scale installation commission Beyond, supported by the City of Melbourne Arts Grants and the Melbourne Art Foundation.
 In 2025 RIM Books published Place to Place, a new book bringing together Arbuckle’s works from 2019 - 2025, focusing on recent exhibitions: Bow Echo (2023) at Two Rooms Gallery, Auckland and Subduction and Abduction (2024) at Daine Singer, Melbourne, with essays by Lucinda Bennett and Emily Cormack.
- 
      
      Matt Arbuckle: Place to Place, Rim Books, NZ, 2025 » Lucinda Bennett, 'Subduction and Abduction', catalogue essay, Daine Singer, Melbourne, AUS, 2024 >> Emily Cormack, ‘Time Like a Cut Batter’, catalogue essay, Daine Singer, Melbourne, AUS, 2023 >> Erin Lee ‘Full house’ catalogue essay, Auckland, NZ, 2021 >> John Hurrell, Review of ‘Reading Hands’, Eye Contact, 2020 >> Laura Couttie ‘Reading Hands’ catalogue essay, Auckland, NZ, 2020 >> 
- 
      
      Matt Arbuckle (b. 1987, New Zealand, lives in Melbourne/Naarm and Auckland/Tāmaki Makaurau) Education 
 2009 Bachelor of Fine Arts (Visual Art), Unitec Institute of Technology, Auckland
 Solo Exhibitions
 2025 The Punch (Forthcoming), Daine Singer, Melbourne, AUS
 2025 Common Fate, Two Rooms, Auckland, NZ
 2024 Mappa Mundi, Spa_ce Napier, Napier, NZ
 2024 Subduction and Abduction, Daine Singer, Melbourne, AUS
 2024 Theatre, Two Rooms, Auckland, NZ
 2023 Triassic-Jurassic, Daine Singer, Melbourne AUS
 2023 Bow Echo, Two Rooms, Auckland, NZ
 2022 Colour Vision, Two Rooms, Auckland, NZ
 2021 Reflection is Reflection, Daine Singer, Melbourne, AUS
 2021 In the Echoes, Two Rooms, Auckland, NZ
 2020 Recto/ Verso, Hastings City Art Gallery, NZ
 2020 Reading Hands, Two Rooms, Auckland, NZ
 2020 Daine Singer at Melbourne Art Fair, Melbourne
 2019 All The More Afraid, David, Melbourne, AUS
 2018 Commute to Compute, Vermont Studio Centre, Vermont, USA
 2018 Low Cloud, Parlour Projects, Hawks Bay, NZ
 2018 Melbourne Art Fair with Tim Melville, AUS
 2017 Find Your Way, Tim Melville, Auckland, NZ
 2017 Easy Fold, BUS projects, Melbourne, AUS
 2017 Beatbox Blues Harp, Daine Singer, Melbourne, AUS
 2016 Structures of Viewing, Tim Melville, Auckland, NZ
 2016 Scales at Play, Neo Space, Melbourne, AUS
 2016 Eye Shots, Paulnache Gallery, NZ
 2015 Digression, Tim Melville, Auckland, NZ
 2015 Wrestling Posters Cause Fights, Fontanelle Gallery, Adelaide, AUS
 2015 BillyCart Installation, Brunswick Lake Gallery, Melbourne, AUS
 2015 Look/See, Chapter House Gallery, Melbourne, AUS
 2014 Slug und Salat, Augusto Space, Auckland, NZ
 2014 Slug und Lettuce, Paulnache Gallery, Gisbourne, NZ
 2013 Raunmschiff Betreuen, Baustelle Gallery, Berlin, DE
 2013 Pictorial Grammar, Holborn Building Space, London, UK
 2012 Who Moved My Cheese, Paulnache Gallery, Gisborne, NZ
 2011 Periscope Dots, Ninety Gallery, Auckland, NZ
 2010 Shit Hit The Fan, The Gallery With No Name, Auckland, NZGroup Exhibitions (selected) 
 2025 Seasonal Shifts, Town Hall Gallery, AUS
 2025 Aotearoa Art Fair, NZ
 2024 Minor Attractions, London, UK
 2024 Melbourne Art Fair, AUS
 2024 Aotearoa Art Fair, NZ
 2023 Daine Singer at Darren Knight Gallery, Sydney, AUS
 2023 Sydney Contemporary, AUS
 2023 Core Sample, Two Rooms, Auckland, NZ
 2022 Aotearoa Art Fair, NZ
 2022 O Horizon, Salamanca Arts Centre, Hobart, AUS
 2022 DAS BOOT: Artist Car Boot Fair, Australian Centre for Contemporary Art, Melbourne, AUS
 2022 Beyond (curated by Emily Cormack), Melbourne Art Fair, Melbourne, AUS
 2022 Lazar, Haydens, AUS
 2021 Four X Four, McClelland Sculpture Park + Gallery, AUS
 2021 Spring1883, Melbourne, AUS
 2021 Text Tile, Caves Gallery Melbourne, AUS
 2021 Full House, Hapua Street, Auckland, NZ
 2021 Frieze, Gowlangsford Gallery, Auckland, NZ
 2021 Spring1883, Daine Singer, Melbourne, AUS
 2021 Auckland Art Fair, Two Rooms Gallery, Auckland, NZ
 2021 Intimate Interiors, Parlour Projects, Hawks Bay, NZ
 2020 Daine Singer at Melbourne Art Fair, Melbourne, AUS
 2020 My Funny Valentine, Missing Persons, Melbourne, AUS
 2019 Summer Show, Weasel Gallery, Hamilton, NZ
 2019 Auckland Art Fair with Parlour Projects, Auckland NZ
 2019 Dogs are Playful, Neospace, Melbourne, AUS
 2019 Regarding theWild, ChaShama, New York, USA
 2018 Winter Sun, Daine Singer, Melbourne, AUS
 2018 Brunswick Sculpture Centre, Melbourne, AUS
 2018 A Hush Fell, Collingwood, Melbourne, AUS
 2018 Colour & Line II, Tim Melville, Auckland, NZ
 2018 I like Anything, Tans Martial Arts, Melbourne, AUS
 2018 Passenger, Perera-Picco Artspace, Adelaide, AUS
 2017 ICON, Richmond Townhall Gallery, Melbourne, AUS
 2017 South, North, and Indented Head, Hugo Michell, Adelaide, AUS
 2017 Bricolage, ACSA, Adelaide, AUS
 2016 Re - Purpose, Drill Hall Gallery, Canberra, AUS
 2016 Middle Distance, Praxis Artspace, Adelaide, AUS
 2016 National Contemporary Art Award, Waikato Museum, NZ
 2016 Chain of Mountains, TCB, Melbourne, AUS
 2016 Auckland Art Fair with Tim Melville, NZ
 2016 More Ground, Hanging Valley, Melbourne, AUS
 2016 Painting Matter, Daine Singer, Melbourne, AUS
 2016 48 Stunden Neukölln, Baustelle Gallery, Berlin, DE
 2016 Painting Prog, The Pah Homestead, TSB Wallace Arts Trust, NZ
 2015 Sydney Contemporary Art Fair with Tim Melville, Sydney, AUS
 2015 The Emperors New Clothes, Morrinsville Whare Toi Wallace Gallery, NZ
 2015 The smell of an oily rag, Fort Delta Gallery, Melbourne, AUS
 2015 The Emperors New Clothes, M Contemporary Gallery, Sydney, AUS
 2015 The Emperors New Clothes, Paulnache Gallery, Gisborne, NZ
 2014 Now You See It, Tim Melville Gallery, Auckland, NZ
 2014 A Beautiful Life, Paulnache Gallery, Gisbourne, NZ
 2014 Melbourne Art Fair Paulnache Gallery, Melbourne AUS
 2014 Tools of the Trade, The Wandering Room, Brisbane, AUS
 2014 Lying In Space, Upstairs 30 Gallery, Wellington, NZ
 2014 The Aggregate & the Algorithm, Tristian Koenig Gallery, Melbourne,AUS
 2014 Three Colours White, Tim Melville Gallery Auckland, NZ
 2014 Bootie Time, Das Boot, Next Wave Festival, Melbourne, AUS
 2014 Frameless, Development Residency & Gallery, Auckland, NZ2014 LegRoom, Studio 40, Auckland, NZ
 2014 Pitch2, BaumgartenBrandt Rechtsanwälte, Berlin DE
 2013 Starlight Kurzen, Baustelle Gallery, Berlin, DE
 2013 Build the | das Bild, Berthelsdorfer str, Berlin, DE
 2013 Ost Und Wieder, Baustelle Gallery, Berlin, DE
 2012 Small Works Gallery, Brisbane, AUS
 2011 Show Me Dont, Tell Me, Ninety Gallery Auckland, NZ
 2010 Rhubarb Shoots, Shed 5, Auckland, NZ
 2009 Nicht So Schlimm, High Street Project, Christchurch, NZAwards 
 2023 Finalist, Arthur Guy Memorial Painting Prize, Bendigo Art Gallery, VIC
 2022 Finalist, National Contemporary Art Award, Waikato Art Museum NZ
 2009, 2011, 2014, 2015, 2016, 2017 Finalist, Wallace Art Awards NZ
 2017 Finalist, Arthur Guy Prize, Bendigo Art Gallery, VIC
 2019 Finalist, Bayside Prize, VIC
 2016 Finalist, National Contemporary Art Award, Waikato Art Museum NZResidencies 
 2021 Auckland Print Studio (forthcoming)
 2021 Driving Creek Railway, NZ
 2018 Vermont Studio Art Centre USA
 2018 Artist residency exchange at the Durrmu Arts Aboriginal CorporationCollections 
 Chartwell Collection, Auckland Art Gallery Toi o Tamaki, New Zealand
 Driving Creek Potteries collection, New Zealand
 James Wallace Arts Trust, New Zealand
 Arthur Roe Collection, Australia
 Whitehorse City CouncilBibliography 
 2025 Matt Arbuckle: Place to Place, Rim Books, NZ
 2024 Lucinda Bennett, 'Subduction and Abduction', cat. essay, Daine Singer, Melbourne
 2023 Emily Cormack, ‘Time Like a Cut Batter, cat. essay, Daine Singer, Melbourne
 2021 Erin Lee, Full house, cat. essay, https://www.the-art-paper.com/full-house/
 2020 John Hurrell, Review of Reading Hands exhibition, Eye Contact https://eyecontactmagazine.com/2020/05/arbuckle-abstractions
 2020 Laura Coutie, Reading Hands, cat. essay, Two Rooms, Auckland
 2018 Simon McGlinn, Blind Carbon Copy, cat essay
 2018 Loni Jeffs, Winter Sun at Daine Singer, review, UN Magazine
 2017 Glenn Iseger-Pilkington, Middle Distance, cat. essay
 2016 Anthony Oats, Repurpose, cat. essay, Drill Hall, Australian National University Canberra
 2016 Camilia Wagstaff, interview, Art Collector Magazine, issue 77
 2016 Quentin Sprague, More Ground (Matt Arbuckle & Robert Fielding) cat. essay
 2015 Reece King, Emma Smith and Richard Fahey, Programme One, cat. essays
 2014 T.J. McNamara, review, Dashing-way-with-the-abstract, New Zealand Herald
 
           
        
      
     
                 
                 
                 
                 
                 
                 
                 
                 
                 
                 
                 
                 
                 
                 
                 
                 
                 
                 
                 
                 
                 
                 
                 
                 
                 
                 
                 
                 
                 
                 
                 
                 
                 
                 
                 
                 
                 
                 
                 
                 
                 
                